Biography

I was born among the rolling hills of Kansas. The simplicity of this background is influential in my work.

I began my university education in Kansas, moved to Oklahoma, and finished BFA in sculpture at the University of Houston. At the University of Houston I earned the Flaxman Scholarship for Art.

My sculptures are rough and powerful yet classically simple. The dominant aspect of my work is its straightforward form - an aspect that makes these pieces very friendly to the viewer, but the symbolism and deeper meaning develop subtlty as the viewer returns to the piece time and again. I create objects with volume and openness using carbon steel, stainless steel, copper, brass, and almost any other material I can find. With found materials, I like to push the material to the point where many viewers do not realize what the original material was. The void of the volume and the play of light and shadow on the structure of my pieces create a sensual experience when viewed from various angles. The master finishes and patina enhance the texture.

My work is typically for indoor display, but also includes pieces suitable for display outdoors. I have personally installed several pieces, including pouring a concrete base and designing custom lighting. These pieces can be installed in a casual garden setting, blending with surroundings and surprising the viewer with a sudden juxtaposition with plantings, or in a more formal setting as a highlight in either a private garden, patio, or front yard.

My studio is a comfortable place of metal, fire, and corrosion where I feel uniquely creative. I visualize the piece in the material before me and let the material dictate its final form. I maintain a high level of craft. I use arc and mig welders as well as oxyacetylene and I use most hand tools and power tools as well. I use both natural and chemical patinas.

I use primarily found and recycled materials in making my sculpture, but also use bulk metal and industrial product. I like pushing the material to the point many viewers don't realize it is made of recycled materials. I was awarded the "Artist in Residency" at the San Francisco Dump.

During a two-year project in the late 90's, I explored the world of conceptual art by painting over 100 red dots on mostly rural architecture across 42 states. The Red Dots were a national project to help bring art to rural America. Talking to the people of rural America and painting red dots gave me more than I expected. I gained valuable experience talking with the media and the public about art and meaning. It also gave me a larger view of my own work and the ability to move in and out of different phases of my sculpture. Visit the Red Dot Boys site.

I have studios in Texas and Massachusetts. Both private and institutional collectors hold my work.